So it will be quite hard to do true before/after comparisons due to perceived level changes. There is a solo and bypass switch for individual modules, though the bypass is not level compensated and there isn’t a trim control on any of the modules. You can also setup A/B snapshots of your entire chains to make comparisons. You can save presets for individual modules or custom chains of modules. Its quite easy to move around modules in the rack and even in between different racks by using mouse drag and drop gestures. The mix rack will only show you four modules at a time but you can horizontally scroll to see additional modules that are loaded in a chain. You can load a maximum of 8 modules per instance of the mix rack, though in practice this might be overkill, but to each his own.
#Steven slate virtual mix rack series#
The VMR is a 500 series style virtual rack that will let you load any combination of the 5 modules in series. The Virtual Mix Rack with 5 modules loaded. Clearly, he has experience creating virtual emulations of analog hardware so it's no surprise that his initials are on all the VMR modules. Fabrice also developed algorithms for the widely used Virtual Console Collection, Virtual Buss Compressors and Virtual Tape Machines all sold by Slate Digital. Now when it comes to analog modeling, the poster boy for algorithm design is Fabrice Gabriel, the man behind the algorithm designs of all modules in VMR.
#Steven slate virtual mix rack free#
The +1 refers to Revival, one of the free modules in VMR. The Slate Digital VMR is a collection of 4+1 analog modeled plug-ins usable in a 500 series modular style virtual mix rack. Personally I don’t mind waiting for a product that is being perfected rather than use a prematurely released buggy software. Slate Digital products are known to have a lot of hype surrounding them, but the positive is that their products live up to the hype more often than not. Slightly over a year later Slate Digital finally made the plug-in available commercially. The Virtual Mix Rack could be the most anticipated release in the history of audio plug-in processors, though that might have something to do with the fact that Steven Slate announced the plug-in in October of 2013. Rishabh Rajan explores VMR in immense depth with audio examples. And the other one (the Mix knob) which will allow to balance the signal processed by the FG-DS 902 and the original unprocessed signal.Slate Digital's new Virtual Mix Rack looks set to really shake up the mixing plug-ins industry and this is just the beginning. One (the Out knob) will allow you to adjust the output level. This is the kind of feature that allows you to find the critical frequency zone faster and more efficiently.īelow, on the right, are two of the most important knobs of this FG-DS 902.Ī frequency knob, which allows you to adjust the frequency range on which the module should focus to process sibilance.Ī range knob, which allows the user to determine how much the de-esser should reduce critical frequencies.Īt the bottom of the plugin there are two last knobs. This mode allows to listen only to the signal processed by the module. Just below this switch is an element that is increasingly the strength of digital compared to analog: a listening mode.
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Very useful when the sibilance is very localized in the frequency spectrum (or not!).
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This is already, in my opinion, a big strength for the FG-DS 902, because it allows to have an idea of the intensity of the correction, and simply not to miss!Īt the top of the plugin, true to the original, a HF only switch. The first thing that catches the eye is the red LED line that shows the gain reduction in dB. Despite all the respect I have for the dbx brand, the American company is far from the premium quality offered by other brands like Universal Audio, Teletronix, Emoirical Labs, and many others… Reverb The sound result of each module being generally close to the original piece, the quality of this plugin is undeniable.īut in this case, one important element made me doubt before trying it: the emulated piece is the dbx 902. Well, first of all, you should know that most of the Virtual Mix Rack modules are emulations of legendary audio hardware (if you’re a VMR user, you probably already know this).
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With this new de-esser, the Virtual Mix Rack asserts itself as an advanced and ultra-versatile plugin that can be used on all types of sources: vocals, guitars, drums, basses,…īut before installing and activating it in my DAW, my first question was the following: Is this FG-DS 902 up to the standard of other modules? A de-esser in the Virtual Mix Rack, finally! This is what many users of this multi-functional plugin have been waiting for for several years.